Drama chronicling the premiere of Victor Hugo's 1830 drama Hernani, and the dramatic Romantics that rallied around it.

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

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Spain, 16th century. The beautiful Dona Sol inspired a deep passion in Hernani, banished from the kingdom. Unable to live without her, he defies the ban and finds her in secret. Several rivals threaten the idyll. She is to marry her uncle, Don Ruy Gomez, and is also loved by the young King of Spain himself, Don Carlos.

Franck (Pierre Lottin), an all-time squatter, finds himself in a complicated trade-off: sell coke for his friend Malik (Yasmin Houicha) in exchange for a place to sleep. The problem is, Franck is no dealer, he even never took coke. Between his slip-ups, the meeting of a dealer, a real one (Clara Ponsot) and his colourful clients, the night is going to be long for our dealer wannabe. Very, very long...

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.

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This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.

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